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  • Music Production

  • Original Music
  • Original Film Scores
  • Trailers
  • Commercials
  • Documentaries
  • Huge Music Library
  • Music Licensing
  • Jingles Music
  • Mixing Music Mastering
  • Digital Remastering
  • Audio Post Production

  • Complete Sound Design
  • ADR/VO Recording & Editing
  • Foley Recording & Editing
  • Sound FX Recording & Editing
  • Massive Sound FX Library
  • Source Music Available
  • Stereo & Surround Sound Mixing
  • Audio Laybacks
  • Music Editing
  • Audio Restoration
  • Full Recording Studio

  • Large Tracking Rooms
  • Vocal Booths
  • Pro Tools HD
  • Nuemann, AKG, Shure, Sennheiser,
  • Sony Microphones
  • Manley, Avalon, Focusrite Pre Amps
  • Session Musicians Available
  • Music Producing
  • MIDI Sequencing
  • Pleasant Studio Environment

Whether it’s podcast mixing, sound editing, foley, or voiceover recording, AAW has got you covered. With a most creative bunch of editors, Alan Audio Works can tackle any task. Our studios are always equipped with the latest industry standard hardware and software, and even some older gear if it’s a different sound you are after. Audio Post can take may shapes, and our creativity has no bounds.

Need ADR recordings on the fly? We can do that too! These days, not everyone can travel to their favorite recording locations, so let us come to you. Remote ADR recordings, and Voiceover recordings, can easily be achieved with the proper logistical strategy.

Dialogue editing is one of the most essential edits to get right, as it usually serves as the basis for how the rest of the film will be designed. Our talented editors are properly equipped to slice up any dialogue that comes their way. With an attention to detail, the dialogue editor will work with both client and sound editors to ensure that the cut is just right.

Sound editing and/or sound effects editing is a highly detailed step that should never be overlooked. Working in tandem with any filmmaker only enhances the quality, and it ensures that we always deliver exactly what the client wants. It is the client’s film, after all, and we happily serve to help tell any story with the use of sound.

What about Foley? We can do that in house too! Again, a vital part of any project is the ability to replace production sounds with high quality (or low, depending on project needs) recordings, and deliver that Hollywood sound that we’ve all come to know and love.

The final mix is where the soup comes together. Re-recording mixing takes place on our main stage. Our stages can monitor and mix in a variety of formats, ranging from stereo, ATMOS, and even VR.


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